This post is an entry in the 31 Days of Oscar Blogathon hosted by Paula at Paula's Cinema Club, Aurora at Once Upon a Screen, and Kellee at Outspoken and Freckled.
In Auntie Mame, there are only about fifteen separate locales shown in the film. Most are relatively simple sets, shown only for a minute or two. A few others are fairly complicated, but from art and set design standpoint the real star of Auntie Mame is Mame's apartment at 3 Beekman Place, New York. The apartment is shown throughout the film and in most cases has a completely different decor each time it is shown. Further, all are fantastic.
Auntie Mame received a total of 6 Oscar nominations including Best Picture, Best Actress (Rosalind Russell), Best Supporting Actress (Peggy Cass), and of course, our topic Best Art Direction-Set Decoration, Black-and-White or Color for Malcolm C. Bert, Art Direction, and George James Hopkins, Set Decoration.
Auntie Mame was the second of two Academy Award nominations for Art Director Malcolm C. Bert. The other nomination was for A Star Is Born (1954). Malcolm Bert's other credits include East of Eden, Rebel without a Cause, The Pajama Game, and numerous TV shows, such as Gun Smoke, Bewitched, and The Monkees.
Set Decorator George James Hopkins was nominated for eleven Oscars in his long career. He won four Academy Awards for A Streetcar Named Desire, My Fair Lady, Who's Afraid of Virginia Wolff?, and Hello, Dolly! His other credits include Casablanca, Mildred Pierce, Strangers on a Train, and The Great Race. In the silent era, he has credits as actor, writer, costume designer, and production manager, among others.
In the credits for Auntie Mame, Robert Hanley is listed as Consultant for Interior Design. I assume this type of credit was rare at the time, but considering how spectacular the interiors of 3 Beekman Place are, presumably some of the credit should go to Hanley as well.
As I was writing this, I came to realize that the sets in Auntie Mame all serve a certain function. Obviously, 3 Beekman Place is an extension of Mame's vibrant personality, showing her enjoying life's banquet, while the rest of the world starves to death. The apartment is almost another character in the film, a character much more interesting than many of the living breathing people in the film.
Let's start with the other locales and see how they work. All can be put into a number of different categories:
- Places Mame works – Early in the film, in fact only weeks after Patrick arrives, the stock market crash of 1929 occurs, wiping out Mame financially, forcing her to get a job. From these scenes, you learn something about Mame. First, in a very funny way, you learn how hopelessly ill-prepared she is to support herself, but more importantly, you learn how much how much she loves Patrick and that she is willing to do anything for him. Mame's jobs include, a small role in Vera's play Midsummer Madness, telephone operator at Widdicombe, Gutterman, Applewhite, Bibberman, and Black, and saleswoman at Macy's toy department, where she meets her future husband Beau (Forrest Tucker).
Widdicombe, Gutterman, Applewhite, Bibberman, and Black |
- Patrick's schools – These places show one thing, Mr. Babcock's efforts to make Patrick as unlike Mame as possible. Fortunately, it doesn't take. The first of these is the Bixby School, where Mr. Babcock wants Patrick to go. Patrick doesn't attend school there, but rather Mame sends him to a progressive school in Greenwich Village where the children play fish family. Afterwards, Mr. Babcock insists that Patrick attend a boarding school, St. Boniface. Later, a grownup Patrick attends Rumson University also at Mr. Babcock's behest, but at Rumson, Mame is constantly sending Patrick souvenirs from her exotic travels.
St. Boniface |
- Places Mame goes – After marrying Beau (Forrest Tucker), they travel to Egypt on their honeymoon. You also see that Auntie Mame and Uncle Beau take young Patrick to Paris. Presumably, this was one of many trips they took Patrick on while he was growing up. The last of these is the Matterhorn, where Beau falls off the mountain. None of these sets are particularly extravagant. To be honest, the Matterhorn looks a lot like the ride at Disneyland to me.
Yodel le he hooooooooo!!! |
- Peckwood – This is Beauregard Jackson Pickett Burnside's family plantation. It is a very traditional Southern mansion. You could film a historical drama about the old South there. Reflected is old money, and the pursuits of the gentry of a bygone era, horses and fox hunts. The name of the plantation, Peckerwood, is the traditional name of plantation.
Peckerwood |
- Upson Downs – This is the estate of grownup Patrick's fiancee's parents. Often they mention that it is a restricted community, and Mr. Upson wants to buy the property next door to prevent a world-reknown cellist from moving in because he is Jewish. You really only see the patio, but there are interesting details beyond the honey daiquiris, such as a spinning wheel and butter churn alongside the ceramic lawn gnomes. Obviously, this is new money, trying to impress people with valuable antiques placed out-of-doors. The self-dubbed name of Upson Down is a title they invented to try to usurp the tradition of the old money.
Upson Downs |
This is why we're here. Auntie Mame's apartment appears throughout the film, and often is used as a time marker in the film. There are six distinct decors. In addition, Auntie Mame uses the chandelier as transitional element from one decor of the apartment to the next.
First appearance – Oriental decor. This our introduction to Mame and 3 Beekman Place, when a frightened, newly orphaned Patrick shows up. The first view of the apartment is an elaborately carved Chinese dragon door with steam shooting out the nostrils and a gong that plays when you ring doorbell. Also the dragon eyes open into a peephole for the servant, Ito, to screen the party guests. The color palette is muted with cream walls, to highlight the Oriental art and statuary virtually everywhere. This is also one of the few times that you see more than a glancing view at the upstairs of the apartment.
Second appearance – Modern traditional decor. Bear in mind I know very little about design. Possibly, there is a name for this. I call it modern traditional. Modern fits. I added traditional most because it retains traditional elements like columns and urns. The color palette is blues, grays, and purples. We see it both before and after stock market crash. After the crash, you can see evidence of Mame's dire financial situation.
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
|
|
||||
|
|
||||
|
|
|
|
||||
|
|
||||
|
|
||||
|
|
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
|
|
||||
|
|
||||
|
|
#####
Auntie Mame didn't win any Oscars. The Oscar for Art Direction-Set Decoration for 1959 went to Gigi. I honestly don't think I can complain about this. Art direction for Gigi was both innovative and first class with the design inspired by famous French art of the era. Perhaps on a different year, Auntie Mame might have fared better, but that doesn't take away the wonder that is 3 Beekman Place.
The Danish Modern phase was my personal favorite. Marvelous piece here, Chris! 3 Beekman Place is indeed its own unique, and ever-evolving character. Thanks for joining our blogathon and contributing this FAB post!
ReplyDeleteThanks, it was fun to do and kind an accident. I remembered the blogathon within a day or so of watching Auntie Mame. I looked at the announcement, saw something about behind the scenes, and immediately thought of Mame's apartment.
ReplyDeleteA great piece Chris! I had never really focused on the 6 different decors before, although it is really obvious. I, too, love the Danish Modern phase, just because it's so over the top. I saw this for the first time only a few years ago. RR is perfect.
ReplyDeleteThanks, Jeff. I'm glad you enjoyed. It's a huge favorite of mine. It almost seems like they scimpted on the other sets so they could make her apartment that much better.
ReplyDeleteYesterday, I got an e-mail from Richard:
ReplyDeleteLiked your look at Auntie Mame’s decor.
I totally enjoyed this look any Auntie Mame's decor. This movie and her apartment has interested me forever. Especially her staircase. I have spotted it in 14 other Warner Brothers films and put it in a YouTube video you might enjoy. But there is one other set you point out also used other films. The set of St. Boniface was actually on the backlot at old MGM in Culver City. It can be seen in MGM films such as "Good News", "Where the Boys Are" and "Merry Andrew”.
I don’t think my comments on your blog worked so I'm sending this.
Here is the link to the staircase video...
https://www.youtube.com/watch?v=ZXCrBYVQtbM
Richard
Thanks, Richard. I enjoyed the video. I know have seen most of those films and never noticed it. Great work. It's kind of amazing some of the things they did to it. In particular in some, the banister seems to have been exaggerated to make it appear the stairs go up higher than they actually do, and I suspect that they even combine with a matte paintings for similar affects as well. Way cool.
The Peckerwood mansion was filmed on the backlot of 20th Century Fox in West Los Angeles, now Century City. The mansion had been built in the 1930s and was used in dozens of features until being demolished in 1961.
ReplyDeleteSome smart person on Bluesky linked to this post! I now consider myself scolded (for not knowing your blog) & will heretofore follow!
ReplyDeleteMy hubby and I watch this again last night and were talking about the decor and which were our favorites...and I was doing a google search to see if anyone had posted about this and found your blog. Anyway, that's the Queensboro Bridge...not the Brooklyn Bridge. Cheers!
ReplyDelete