San Diego Classic Film Calendar

Monday, June 26, 2017

Announcing the Summer Movie Blogathon, June 24-25

Put on your baggies and wax up your rear-projection surfboard, it's almost time for the Summer Movie Blogathon, June 24 and 25 (first weekend of Summer). 

Okay, we're being a little generous with our definition of Summer as indicated below. The only rule is no repeats on movies titles, first come first served. If interested, post a comment saying what movie you want to do below. Examples of qualifying films include the following.

Movies with Summer in the title:

  • 500 Hundred Days of Summer  [Taken]
  • The Endless Summer
  • Suddenly Last Summer
  • Long Hot Summer
  • In the Good Old Summertime [Taken]
  • Indian Summer [Taken]
  • Summer of '42 [Taken]
  • Summer of Sam
  • Corvette Summer, they can't all be Casablanca, folks

Movies about the beach, surfing, or summer sports:

  • Beach Party, Muscle Beach Party, [Muscle Beach Party is Taken] ...
  • Gidget
  • Ride the Wild Surf
  • Dog Town and Z Boys [Taken, unless someone else wants it real bad]
  • Deliverance
  • Without a Paddle
  • Major League
  • Bull Durham

Movies about summer or hot weather:

  • Stand by Me
  • Grease
  • Dazed and Confused
  • American Graffiti [Taken]
  • Seven Year Itch
  • Weekend at Bernie's

Movies about vacation/camping or set in amusement park/resort area:

  • Coney Island
  • Roman Holiday [Taken]
  • National Lampoon's Vacation
  • Meatballs
  • Tucker and Dale vs. Evil
  • Mr. Hobbs Takes a Vacation
  • Euro-Trip
  • Woman on the Run

Summer blockbusters (to qualify, must have been released between April and September):

  • Jaws
  • Men in Black
  • Independence Day  [Taken]
  • Raiders of the Lost Ark  [Taken]
  • Ghostbusters [Ghostbusters and Ghostbusters II are Taken]
Want to be involved? Post a comment, saying what film you want to cover.

Here's what we have so far:

I've made the above graphics to promote the blogathon. Please feel free to Save as and use as needed.

Monday, June 19, 2017

Beginner's Guide to Teapot Racing 3 – This Oolong Earth Build

Been a while since I posted anything on Teapot Racing. And Teapot Racing would be? It is a bit of steampunk silliness, wherein you mount a teapot on an Remote Control (RC) car and race it on an obstacle course. The official New Zealand rules (they made it up) are given here. Now while Teapot Courses will vary, the ones I have seen feature ramps, a banked U-turn ramp, and a slalom course. Thus, I chose a tank as the parent vehicle, because it both climbs and turns well.

Previous posts in this series have looked at:

This post looks at how I created a teapot racer out of an RC tank, using the following:
  • Teapot I bought on It was sold as a child's teapot, though possibly it was a real single cup, probably made in Japan. Anywho, the main thing I was looking for was a small size and lightweight. It's made of thin aluminum. It measures approximately 2 1/2 inches tall by 3 inches in diameter, not counting the handle and spout. Sorry for the poor quality picture I forgot to take one before I put it together.
  • Sided armored off-road crawler All-terrain four-wheel drive high-speed remote control toy car with lights in blue available on Amazon at
  • Toy boat from a 99 cent store. This gave me a platform to mount on which to mount the teapot, that had a somewhat interesting shape on its own. I turned it upside down and backwards to get sort of the effect of a 1930s boat-tail speedster. I bought two of these, so I could have one to experiment on.

  • Black duct tape, a bracket, lots of zip ties, various accessories for decoration, and Pop Metaluna Mutant Mystery Mini Figures as the driver. I talk about these as I go along
Step 1 – Covering the tank with black duct tape. The tank was a blue plastic and was too modern-looking for steampunk, so I wrapped the entire body in duct tape. I suppose I could have painted it, but it had blue LEDs that I didn't like that would shine through the paint. I used fairly small pieces of tape, about 2 to 3 inches long and cut in half lengthwise. That way I could push it down into the contours of the plastic. On the bottom of the tank, there were an access panel to the batteries, a charging port, and a on-off switch. I left these open. 

Note: This vehicle has an antenna. It was not clearly marked, and I didn't think about it until I was about 80% done with the project. I assume the antenna is somewhere under the plastic shell, and once I thought of it, I was afraid that the duct tape would interfere with the radio signals. Fortunately, that was not the case, and it seems to work fine encased in duct tape. Sometimes, it's better to be lucky than smart.

Step 2 – Cutting the top off the toy boat. The toy boat is made, so that the top of the boat just snaps into the bottom, but there is a cabin molded into the plastic that was in the way. I cut the cabin off with a utility knife. A small hacksaw would have worked just as well. I also cleaned up any rough spots, with a file. The plastic was soft and cut easily, but do take care not to cut yourself. 

I ended up taking off the rails.
Step 3 – Attaching bracket to the tank body. I found a bracket at a surplus store that sells mostly hardware. It looks sort of like a simple belt buckle. with three bars, the middle one lower than the two on the outside. I knew I wanted to attach the top of the boat with zip ties, and I figured the two bars would allow me to attach the boat top to the tank with 4 zip ties. It the openings in the bracket are roughly the same width as my duct tape, so I could just tape it down. I eyeballed where I thought it should go and taped it temporarily with just one short piece of tape, so I could test it. It seem to be about right, I took it off reattached it with one long piece of duct tape. I wanted the tape to be long enough to wrapped around the front and back of the tank. I know that when I pick up the final teapot racer, I will grab it by the tank body. But I know other people might not be so careful, and I didn't want the whole top of the teapot racer to come off, because the duct tape holding the bracket came loose from the tank body.

This is the bracket I used, running tape through center bar.
Tank with bracket taped down

Step 4 – Attaching boat top to tank. I placed the boat top on the tank and marked where I wanted holes for the zip ties to go through. The plastic on the toy boat is pretty soft, so I used a ice pick to poke holes through the plastic, seemed faster and easier than drilling. Also, sometimes a drill will wander, when trying to drill on plastic with a curve in it. I was planning to use four zip ties to hold it down, but once I got the first two on, it seemed fine with just two.

Step 5 – Attaching teapot to boat bottom. I drilled 4 holes in the bottom of the teapot. I placed it on the bottom of the boat and used a silver Sharpie to mark on the boat where the holes were. I poked the holes (with the ice pick again). Two zip ties later I had the teapot attached to the boat bottom and could snap it on the boat top on the tank. By this time, I knew I wanted to use a Pop Metaluna Mutant Mystery Mini figure as the driver. The scale was about perfect for the small teapot. I also had some small plastic spoons (about half the size of a normal spoon). My daughter suggested that he hold the spoon like a weapon and maybe have a sugar cube in the other hand (that didn't work out).

The figure and spoon aren't attached at this point.

Step 6 –  Attaching the eyes and exhaust ports to boat. Originally, I toyed with the idea of attaching wings like 1950s car tail fins to the back, but that sort of conflicted with the 1930s boat-tail speedster look I'd already committed to. Instead I went for exhaust ports in the rear. For the front, my wife had found these reading lights as Daiso (Japanese chain of 100 Yen stores that they have on the West Coast, everything $1.50). They are shaped like miniature desk lamps, (got four of them):

For the exhaust ports, I found these whistle party favors at a dollar store. The LEDs from the book light fit inside them perfectly, so they light up from the inside. On the eyes, at first I thought I would go with headlights, but then I ran into some eyes that were the perfect size for the shade on the book lights. I used gel superglue to glue the eyes to the shade, so the eyes light up too. I cut the base off the reading light with a hacksaw, just after the first joint.

Then poke more holes and attach the exhaust ports with zip ties.

And same with the eyes. I put them on the diagonal to match what I was doing on the teapot on the next step.

Step 7  –  Make and attach interocitor. Now, I know what you're thinking, what is an interocitor. Well, the Metaluna Mutant was from the 1955 Sci-Fi Classic, This Island Earth. The interocitor is a communication device that the aliens with the prominent foreheads used, basically a inverted triangle-shaped TV screen.

This was one of the toughest things to fake. I just wanted a triangle-shaped thing at roughly the right size to turn into an interocitor. The best I could do was a spatula from a 99-cent store toy cooking set. It was already sort of triangle shaped, and I cut it down to make it more so. Then drill holes through both it and the teapot and attach with zip ties near the handle.

Step 8 – Attach stuff to Metal Mutant. The Metaluna Mutant has two claws but they don't hold anything. The best bet was to drill holes in the spoon and teacup and attach to its arm/claw with more zip ties. I tried a couple of things until I found something that worked well. For the spoon, I drilled two holes in the handle and attaching with a zip tie to the claw. For the teacup (from a 99-cent store toy teaset), I drilled a hole through the cup handle and zip tied to the wrist.

From the back, you can see it, but you have to really
look to see it from the front.

Step 9 – Disassemble and prime and finish plastic parts. Disassembly was a snap. Just cut the zip ties. I used a plastic spray primer, Rust-oleum Painter's Touch Ultra Cover 2x Spray Primer (red, which is more of a rusty brown). Black would have been my first choice, but they don't make that in plastic primer.

The boat had some company info molded into the plastic, so I sanded that off and sanded all of the parts, so that the primer would stick better. I used 150 grit sandpaper. which worked well on the lettering. If I had it to do over again. I would have used 150 grit on the lettering and about 400 grit on the rest (the higher the number, the finer the grit). I think the 400 would have given me a smoother finish.

I had a few extra bits including an extra boat that I primed, so I could play around with the finishes. I wanted to try, doing seams and rivets with a Sharpie.  I was planning to use rub and buff silver for the finish.

My first attempt at seam and rivets with a Sharpie

I used the top of the extra boat as a template to draw the seams on the extra boat bottom that I primed. I made a few mistakes, but better that than on the real one. For the Rub and Buff, I applied to all of the pieces and buffed out with a clean cloth. I played around a second time with colors on the seams and rivets on the spare hull. Since this is supposed to be an alien ship, there's no reason the seams and rivets couldn't be a color. Turns out I liked black for the seams and red for the rivets, respectively.

On the exhaust ports, I did the rub and buff lightly on the middle part, so you could still see the primer in the grooves. Once I got that done, I realized that I didn't like the way the primer looked. Since I had mostly red accents on the vehicle I got red whistles/exhaust ports, I did unprimed red ones with Rub and Buff. Even though, it didn't stick as well, I liked the finished results better.

For the boat top I used three coats of Testors red model paint on the edges that would show. It took three coats to cover the primer.

Then, I drew on the seams and rivets with black and red Ultra Fine Point Sharpie, respectively.

Finally, I wanted to put the name on the side.  I searched online for unusual-looking fonts and found one I could copy reasonably well by hand. It didn't come out perfect, but if I decide later that it really bothers me, I could probably cover it with more Rub and Buff and try again.

Step 10 – Finish off interocitor. I found an image online of Exeter the alien from This Island Earth for the front of the interocitor. While looking, I found some other images of what it looked like when it was off, nothing I could use, but it was a fairly simple design I could re-create with my illustration program. I made a printout of both and cut out about an 1/8 of an inch smaller than the plastic piece I'd made for the interocitor. To attach, the printout, I used clear packing tape.

Step 11 – Reassemble with zip ties. Nothing big here. I did use blue zip ties on the spots that I wanted them to show to match the color of the Metaluna Mutant and contrast with the red accents elsewhere. I then tested it. While the Metaluna Mutant figure sits in place pretty decent, it wobbled around when I was driving. I decided to drill a couple more holes in the teapot, so I could zip tie the figure in place. for this I used a neutral white zip tie because it blended with the color of the teapot, and I didn't want it to show.

Final results

Saturday, June 17, 2017

Sex! (now that I have your attention) Blogathon - A Guide for the Married Man

This post is part of the Sex! (now that I have your attention) Blogathon, looking at my favorite 1960s sex comedy, A Guide for the Married Man. The basic idea of the blogathon is to look at a movie that subtly suggests sex, without writhing, naked bodies, and explicit dialog about how much one person wants to go to bed with another.

I consider the sex comedies of the 1960s a subgenre all their own. You could make a case that most of them would fit the above parameters for this blogathon. Unlike earlier sex comedies, which had to mask the deed with clever dialog and innuendo, by the 1960s, you could talk about sex openly, but when it came down to it, the actual deed happened only rarely and always off-screen. Gone are the knowing looks, instead you get  lots of scenes with people getting undressed before, getting dressed after, making the bed, lying in bed smoking, and so on. Lots of hot scantily-clad women in bikinis and lingerie. It's almost as if the film-makers made a conscious decision to push the envelope as far as humanly possible, without opening up the envelope and looking inside.

In addition, while the films wallow in gratuitous casual sex, most of the time, the message of the film praises monogamous marital bliss. The playboy is bored with all the hot young women, until he meet Miss Right, who he assumes is going to be another no-strings fling, but is actually a "nice girl," who he ends up marrying at the end. When I first mentioned the term playboy, I almost said, young playboy, but the playboy is almost always fast approaching middle age and dating women close to half his age.

A Guide for the Married Man falls clearly within this context. The film centers on Walter Matthau and his neighbor/best friend Robert Morse.  Both are "happily married," but Robert Morse gets some on the side. Walter Matthau is intrigued by Robert Morse's exploits and longs to get into the game, but Morse convinces him to hold off until he can show him a few pointers. Robert Morse cares about Matthau and his wife, Inger Stephens, and wants to make sure that Matthau doesn't do anything to hurt her, specifically, get caught.

Walter Matthau and his wife Inger Stevens, you can see how he'd be bored
with that. Of course, if they slept in the same bed....
What follows is a series of skits about extramarital sex and the art of not getting caught, as Robert Morse walks Walter Matthau through what people did right, what the did wrong, where to go, how to find the right woman, and even how to break it off when you're done. Appearing in these skits is a who's who of 1950s/1960s film and TV comedians, most of whom are credited as Technical Advisers.

Here are just a smattering of the skits:
  • In one, Art Carney demonstrates his ingenious method of getting out of the house in the evenings for his trysts without raising the suspicion of his wife, Lucille Ball.
  • When Walter Matthau makes an off-handed remark about being too careful, Robert Morse introduces a skit starring Carl Reiner as a movie star who goes to great lengths, both literally and figuratively, to avoid being careful only to get caught anyway.
  • In another, Joey Bishop demonstrates the power of denial when caught by his wife (Ann Morgan Guilbert, Millie Helper from The Dick Van Dyke Show).
  • And possibly my favorite, British comedian Terry Thomas and Jayne Mansfield demonstrate why you never never never bring a woman back to your place.

Through all of this, Walter Matthau sets out arranging his first affair, as he picks the right woman, no, not your sexy married neighbor. With a married woman, not only do you have to keep your wife from finding out, but also her husband. How he gets his wife to get him to use a new aftershave that Robert Morse swears will overpower any woman's perfume. Matthau even comes up with his own ingenious plan for getting out to the house in the evenings. He and Robert Morse even go on a dry-run to simulate the battle conditions of an extramarital affair.

They go to almost James Bond lengths to avoid getting caught.
A Guide for the Married Man was skillfully directed by legendary song and dance man, Gene Kelly. Though Kelly doesn't appear himself, his voice can be heard onscreen as a TV announcer. I guess it's fair to say that it kind of has the feel of a sitcom, but that has more to do with most of the cast being littered with people best known for their work on sitcoms. The film's theme song is by 1960s rock group, The Turtles, who also did the pop hit, "Happy Together."

The big question, is it sexy? Ask me, all of the 1960s sex comedies are sexy. They embrace sex for sex's sake. You always get lots of skin and a heaping helping of sexual situations, even though they always skip the deed.  More important is that A Guide for Married Man is still funny and entertaining. They made a lot of films of this ilk, and they played on TV all the time when I was a kid. I watch them most of the time for nostalgia sake. With this film, I watch it because it is good and still funny all these years later, more than I can say many of 1960s sex comedies. I guess the real question is, does sex = sexy. For me, it's a resounding, yes. But don't take my word, check out the trailer and see for yourself.

Friday, May 19, 2017

Over the Rainbow Ukulele Chord Melody Solo Tabs

My take on "Over the Rainbow" by Judy Garland on ukulele in the key of C. I'm playing on a high G, but I don't think there's anything that wouldn't work on low G.

The tabs for it are the following. If something is wrong, please let me know.

#------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation    #
#of the song. You may only use this file for private study, scholarship,   # 
#or research.                                                              #

                                OVER THE RAINBOW

Music by Harold and Arlen
Arranged by Chris Sturhann

Gtr I (G C E A) - 'Ukulele (gCEA)'

    C Em        F     C5   F   C         F G7          C

    C Em        F     C5      F   C         F G7          C

  C5                G7          F  C5                   G7

  Am  F

    C Em        F     C5      F   C         F G7          C

  C5                  G7          F G7C

* Generated using Power Tab Editor by Brad Larsen -                          * 
*                                          *

Thursday, May 18, 2017

Imitation of Life (1959) – Race/Ism in Classic Hollywood

Full disclosure, when it comes Imitation of Life (1959) directed by Douglas Sirk, I'm not a fan, not of Douglas Sirk nor of Imitation of Life. My big problem with Imitation of Life is that almost everyone has issues, and with the exception of Juanita Moore's character, they are borderline, if not full-on, horrible people. The main villainy, however, is reserved for the "black" character, Susan Kohner, even though she is the one person who has a really good reason for being the way she is. By the way, I will come back to quotes around black later.

Let's look at a few of the white characters first. Sandra Dee has issues, mostly not of her own making. Growing up with no father and an inaccessible mother, she has abandonment issues. It's not surprising that she falls in love with her mother's beau the only father figure she has ever known. John Gavin is more or less a nice guy, though probably uses poor judgement, spending that much time with a 16-year-old with daddy issues.

Lana Turner, wow, what can I say about her. She is obsessed with herself and barely notices anyone else. As a Broadway actress, she probably could have been a good part-time mother, in the early evenings before she went to the theater, but apparently, she never did. She was good to Juanita Moore. She kept her with her all those years. That makes her a good person, right? In the Wikipedia article for Imitation of Life, they describe Juanita Moore's relationship with Lana Turner, as " nanny, housekeeper, confidante and best friend." Late in the movie, Lana Turner says that she didn't know that Juanita Moore had other friends. Apparently, this confidante and best friend is a one-way street. Lana Turner can confide in Juanita Moore, and she considers herself Juanita Moore's best friend, but she has never taken the time to get to know her beyond being a servant.

Now, I would consider this an indictment of white people's attitudes toward blacks a positive thing, but it's done in such a back-handed way. These white people are generally good, because they stick with the black people they know, even though, clearly, they consider their black friends subservient. Then again, Imitation of Life, has a bigger fish to fry, Susan Kohner's character.

Susan Kohner's character, Sarah Jane, treats her mother horribly, and this is the focus of the film. Sarah Jane from a very early age understands that white people have it way better than black people, and because of the way she looks, people assume she is white. The only thing that stands in her way is her black mother, and she treats her mother like crap because she threatens that illusion.

Imitation of Life is set in New York, and I honestly don't know what the racial climate was in New York in the 1950s,  Sarah Jane is fired from a nightclub for being black. Presumably, certain restaurants would not serves blacks or would serve them at the counter or not seat them at booths or tables. Blacks were expected to live in a black neighborhood, or in the case of Sarah Jane and her mother with their white folk employers. I don't think there were colored-only drinking fountains or restrooms like in the South.

While I was thinking about this piece, I got to thinking about colored only bathrooms, and I hope you don't mind a little tangent. I'm thinking the white bathrooms were nicer but not as clean. Think about it, if I was black, and the only job I could get was cleaning bathrooms, and I had to do it twice because white folk couldn't handle peeing with black folk, I wouldn't do as good a job on the white side, and the black side would be spic and span.  In fact, I think I'd pee in the mop bucket on the white side. "I'm sorry, suh. I just can't seem to get that pee smell out of the white restroom. I just don't think white folk is as good black folk at hittin' the commode. You've seen them on the basketball court."

Let's close by taking another looking at the three main characters. Juanita Moore's character is a saint. All she wants is is the best for her daughter, so much so that she is willing to not see her again, and it breaks her heart. Ultimately, she dies of that broken heart. But what does she really want. She wants her daughter to be true to herself. She wants her daughter to accept racial oppression and a life of subservience.

Lana Turner's character is supposed to be good. She has opened up her home to a black family, but only as servants and not as a true friends or family members. She didn't know what church Juanita Moore went to or that she had outside friends or that she still sent Christmas gifts to the milkman that helped them when they had absolutely nothing. But Lana Turned is good. She opened her home to a black family.

Susan Kohner is the devil incarnate. She broke her mom's heart, and that killed her. What right did she have to want to be equal to whites. She needed to be true to herself and accept her lot in life. Maybe things would be better by the time her light-skinned children or grandchildren grew up, provided they didn't make sudden movements around a cop. This is a bad person, or at least that's what the tone of Imitation of Life told me.

Juanita Moore and Susan Kohner, passing (for black)
Earlier I used quotes around black and said I would come back to it. Well, no time like the present. Imitation of Life (1959) is a remake of a 1934 film of the same name. In Imitation of Life (1934), the role of the black daughter was played by Fredi Washington, an African-America, whose parents were both of mixed African-American and European descent. Susan Koehner is the daughter of Austrian-American film producer, Paul Kohner, and Mexican-American actress, Lupita Tovar. Also considered for the role were Natalie Wood and Margaret O'Brien. Presumably there were no light-skinned black actresses in Hollywood in the late 1950s.

Is this as bad as Mickey Rooney playing Asian in Breakfast at Tiffany's? Of course not, but I would be a lot more willing to cut Imitation of Life some slack, if this sort of whitewashing wasn't still happening today. In a perfect world, Gods of Egypt (2016) would be entirely cast with actors of Egyptian/Middle Eastern descent, instead of a mostly white cast with the odd African-American and Asian actor thrown in for good measure. I know the line is that they need name stars to sell the picture, but how do actors of color get to be name stars when casting almost completely ignores ethnicity in what should be an entirely ethnic film.

Friday, May 12, 2017

Big Stars Small Screens – Shadow of a Doubt

"I am big. It's the pictures that got small."
Norma Desmond
Sunset Boulevard 
This series takes the stars from a certain big screen film and looks at where those stars appeared on the small screen, TV. The parameter of this series is I try to keep it to appearances where you can stream single episodes. It's probably not worth buying an entire season on DVD just for an episode or two. This is an all Alfred Hitchcock edition of Big Stars Small Screen looking at stars from Shadow of a Doubt (1943). 

Theresa Wright

Sadly, I wasn't able to find, Teresa Wright. Not that she didn't do TV. She even did two episodes of The Alfred Hitchcock Hour, Hitchcock's hour-long series (1962-1965). Unfortunately, this later series doesn't seem to be available streaming.

The two episodes are:

The Alfred Hitchcock Hour, Season 2, Episode 12
"Three Wives Too Many" [Info via IMDB]
This one looks like a hoot. Teresa Wright co-stars with Dan Duryea, a bigamist who has four wives, well, that is until the one wife goes after the other three.

The Alfred Hitchcock Hour, Season 3, Episode 6
"Lonely Place" [Info via IMDB]
Teresa Wright is upset when her husband hires a crazy drifter to work on the family farm. Bruce Dern plays the drifter. They had me at Bruce Dern and crazy.

I did find this TCM Word of Mouth video where Teresa Wright discusses, Alfred Hitchcock and Shadow of a Doubt, so that will have to do for her:


I did find several of the other stars on episodes of Alfred Hitchcock Presents, which is available streaming.

Joseph Cotten

Joseph Cotten appeared in three episodes of Alfred Hitchcock Presents. I'm going to look at two of them.

Alfred Hitchcock Presents, Season 1, Episode 7
"Breakdown" [Info via IMDB]
Available on Hulu

In this episode directed by Alfred Hitchcock, Joseph Cotten plays a businessman. While on a car trip, he has an accident where he is paralyzed and trapped in the car. Unable to speak or even blink his eyes, he is unable to ask for help from the people who happen by and assume he is dead. The episode is more of a psychological study as Cotten desperately tries to figure out how to convince someone he is still alive. Also in the episode in a small role, is Raymond Bailey, who played Milburn Drysdale on the Beverly Hillbillies.

Alfred Hitchcock Presents, Season 3, Episode 15
"Together" [Info via IMDB]
Available on Hulu

In this episode directed by Robert Altman and set at Christmas-time, Joseph Cotten plays a married man, trying to pacify his young mistress. He tells her that everything is okay, that he has told his wife that he wants a divorce, but in reality he has no intention of ever leaving his rich wife. When he starts back-peddling on the divorce, she decides to take matters into her own hands and call the wife herself. Cotten has to stop her in a most violent manner but ends up getting locked in the office building with her over the holiday weekend. He has to figure out how to get out, hopefully, without anyone noticing.

Joseph Cotton also stars in the following:

Alfred Hitchcock Presents, Season 5, Episode 9
"Dead Weight" [Info via IMDB]
Not available on Hulu, but you can stream at:

Patricia Collinge

In Shadow of a Doubt, Patricia Collinge plays Joseph Cotten's ditzy sister (and Teresa Wright's mother). She appeared in four episodes of Alfred Hitchcock Presents and two episodes of The Alfred Hitchcock Hour. The second of the Alfred Hitchcock Presents episodes was the following:

Alfred Hitchcock Presents, Season 2, Episode 12
"The Rose Garden" [Info via IMDB]
Available on Hulu

Patricia Collinge plays an elderly woman who lives with her sister in Louisiana and has written a murder mystery. Her publisher played by John Williams (the detective from Dial M for Murder) comes to discuss the story and close the deal on the book. When he gets there, he finds that the manuscript rings a little bit too true with regard to Patricia Collinge and her sister. Collinge's sister is played by Evelyn Varden who is probably best known for playing the doting neighbor lady in The Bad Seed.

Hume Cronyn

In Shadow of a Doubt, Hume Cronyn plays the next-door neighbor who along with Teresa Wright's father is obsessed with murder mysteries, and they are always contriving ways to kill each other but fail to notice the real-life murderer in their midst. He also had a key role in Hitchcock's Lifeboat, in the only Cronyn role I can think of where he gets the girl. Okay, not the girl, but a girl. He appeared in two episodes of Alfred Hitchcock Presents.

Alfred Hitchcock Presents, Season 3, Episode 38
"The Impromptu Murder" [Info via IMDB]
Available on Hulu

I chose this of the two episodes because it was directed by Paul Henreid. Hume Cronyn plays a British lawyer during World War I. An old client comes to call after his not seeing her for ten years. She has left a sizable investment with Hume Cronyn and now wants to reinvest in her brothers' business, which is expected to make huge profits due to the war. Just one problem, he doesn't have the money, causing Cronyn to take drastic measures. What follows includes cross-dressing and an unexpected body resurfacing.

Macdonald Carey

In Shadow of a Doubt, Macdonald Carey plays Teresa Wright's love interest, Detective Graham. He appeared in one episode of Alfred Hitchcock Presents and one episode of The Alfred Hitchcock Hour.

Alfred Hitchcock Presents, Season 2, Episode 12

"Coyote Moon" [Info via IMDB]
Available on at

Macdonald Carey plays a college professor driving across country to take a new job. He has found an injured coyote on the road and stops to try to get medical attention for the animal. As no good deed goes unpunished, he encounters a young woman played by Collin Wilcox Paxton (an actress so familiar that I had to look her up). Collin Wilcox Paxton is best known as Mayella Ewell, the chifferobe kindling woman from To Kill a Mocking Bird. She needs a ride to visit her brother in a town 30 miles away. Well, in addition to having a brother, she also has a father (Edgar Buchanan, Uncle Joe from Petticoat Junction), and all of them are con artists if not outright thieves. After being stranded on the side of the highway, the good professor figures out a way to get even.